Recently in “Galleries”


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This past week, at the NY Armory Show, I continued my love affair with the work of African artist, Pascale Marthine Tayou, exhibited by the Galleria Continua, located in San Gimignano, Italy.

Born in Yaoundé, Cameroon in 1967, Tayou began his career in the 90's, when after abandoning his studies in law, he changed his birth name, Jean Apollinaire Tayou, taking a double name in the female form: Pascal(e) Marthin(e) and went abroad to begin his art career. His first exhibition was in 1994 in Cameroon, it was followed quickly by international recognition. Tayou refers to himself as "a lawyer not an artist" saying "I never intended to be an artist, but I'm curious." Currently living with his wife and children in Ghent, with trips to Africa, he says of leaving Africa "I never left my country, I am a traveler now."  The work, like his name, is fluid, easily transitioning between sculpture, drawing, video, and installation ..... purposely mobile .... reflecting his double-life, traversing two diverse worlds. In addition to the theme of movement between cultures, Tayou's work also explores the issues of the "global village."  

Thought sold individually, the installation at the Armory features a "family" of four crystal figurative objects; individuals or twins ....... each different, but having a relationships to each other ..... a "community."  The "birth" of the pieces began with Pascale drawing the "figures,"  followed by him supervising master glass artisans in San Gimignano, who blew the forms, and  then he "dressed" them. They have strong connections to Tayou's "double-life;" the wrappings inspired by the earthy African elements of his childhood, and the figures made of glass, a European material, not part of the African culture. The combination of materials, shapes, colors, and textures; the use of worn bits of textiles, yarn, string, beads, wood, etc- are in direct opposition to the new, icey cold, flat, bright, clear, almost soulless crystal "bodies." But, when all the parts join together, the pieces come to life, ........ they are joyful, elegant, and humorous creatures. The last pieces of the "puzzle" are the pedestals, tree stumps that reference Tayou's African roots, where nature is a part of life.  According to  him, "Les Siamois, Fraternal Twins A&B, Twins & Co, is a plastic reflection on the magic that binds human beings to nature." 

I saw Tayou's work for the first two years ago at the Armory and thought it was fantastic. These new pieces are equally stunning and for this "accessorator," his work continues to be among the most innovative and exciting at the show!!!!!!!!!

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My passion for English ceramics began with artist Barnaby Barford, a 2002 graduate of the Royal Academy. He is an elegant storyteller, creating unique narratives, using mass-market and antique found porcelain figurines to weave his tales. "Cutting up, exchanging elements or adding to them and repainting then, to create sculptures which are often sinister and sardonic but invariably humorous."

His current exhibition at the David Gill Gallery in London reflects his most recent venture .... animated film ....... creating a world for his characters. "I've always seen my pieces as scenes from a film- I want viewers to make up what happened before and what might happen afterwards- so it felt like a natural progression to work on a film," according to Barford. The work at the gallery is inspired (never replicating scenes) by the animation, he sees it as a "final conclusion to the entire project." Each piece stands on it's own, part of a story, but seen as a complete work of art.

Barford's animated film, DAMAGED GOODS, commissioned in London by the Animate Projects and funded by the Arts Council England and Channel 4, tells the tragic love story of two figurines, who's whole world is lived within the shelves of a bric-a-brac shop. It explores the ideas of forbidden love, material wealth, class division .... all within the "society" of the shelves. The top shelves house the objects that are lavish crystal, silver and gold objects, while the floor is covered with the bits and pieces of broken, discarded ceramics. 

 The film is spectacular ..... charming, innovative, touching, divine ... take a look!!!.


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N.Y. Magazine art critic, Jerry Saltz's review of the 2010 Whitney Biennial describes Portland-based artist Jessica Jackson Hutchins' piece "Couch for a Long Time," (top image), as "one of the best pieces here."  The sculpture, a "lumpy" sofa collaged with newspaper clippings about President Obama, cradles a series of "gnarly" ceramic objects. According to Saltz, "All the images together with the cracked pottery evoke intense pressure- the pressure that he, we, art and America are under."  In additionHutchins received kudo's from Holland Cotter in Friday's NY Times Whitney review, as well as being included in the Sunday NY Times T- Style section piece about "Whitney women" and ....... the Biennial has only been opened for five days!!!!! 

And if being included in the Biennial wasn't enough for last week .......... Jessica opened two simultaneous solo shows in New York City ...... at the Derek Eller Gallery in Chelsea and at Small A Projects on the Lower East Side!!!!! Her new work is still extremely intimate, very narrative, and a sublime blend of her favored materials ...... glazed ceramics, textiles, papier-måché, collage, and furniture!!!! The pieces are personal, adapting accessible and familiar ideas, sometimes including bits & pieces from her family. Both exhibitions feature a variety of works on paper, as well as a stunning selection sculpture. 

Furniture, either found or from her own home, is a major element in Jessica's work. In a number of pieces the furniture becomes the base for a combination of collaged elements that create "figures" holding ceramic vessels. In several pieces ...... including "Recliner,"  a recliner covered in papier-måché, collaged in color photographs and magazine images or "Leaning Figure," another similar work that has been collaged in a combination of paper, fabric, and paint ...... the furniture becomes an invisible armature. The piece "Kitchen Table Allegory" is the actual dinning room table from Jessica's home. It has been gouged and cut, is covered with colored ink residue, and has been pulled apart, as if waiting for a leaf ...... instead a ceramic vessel sits in it's center. Prior to being a "complete" art work, the table was gouged to create the "plate" for a series of collaged mono-prints that appear in both shows. The piece "Couple," a worn loveseat with two papier-måché, spray painted mounds and a ceramic vessel nestled between them, is another narrative work that intrigues the viewer and allows numerous interpretations. In addition, there are several anthropomorphic ceramic pieces that are monuments to human fragility, "Infinite Break" a reference to Tiger Woods, and "Disgraced Skater," a slumping athlete. 

I must admit, Jessica's work is in my collection ....... and I would love to add "Settee," a pink settee with two ceramic objects sitting on it; one a cracked, multi-colored mound that is bisected by a silk tie belonging to Jessica's husband and the other a muted vessel sitting very close ....... a stunning couple leaning into each other!!!! Unfortunately it maybe too large for my house, as well as being on reserve ......... so I think the ceramic vessel "Fringe," trimmed with napkin "ribbons" from the artist's own home, or "Two," a pair vessels, attached by an "umbilical cord" of Americana that was Jessica's husband's bathing suit, my be coming to live with me!!!!!!!!!!


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These over-the-top, "fastastical creatures" .......... designed by Marcel Wanders for Bisazza (see blog 2/12/09), are a limited edition collection of tables or pouf-tavolino (ottoman). I dream about living in an all white linen beach house, "accessorated" with one of these stunning glass mosaic objects ...... a wonderful collection of books ....... and fabulous contemporary art!!!!!!!!!   That's my idea of heaven!!!!!


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Galerie Kreo, opened in 1999 by Didier & Clémence Krzentowski, is "dedicated to artistic exploration in design." Known as a "design impresario," Didier is a lifelong collector, who following his passion, has been a major force in establishing contemporary design as an "art form". He disagrees with the term and explains, "there's a difference between collecting furniture and art. You use furniture. It's your home, in that way, design is not like a piece of art, it has a much more functional place."  The galerie produces limited edition pieces from internationally renowned contemporary designers, rather than the conventional model of dealing, buying and selling pieces. 

My heart starts to pound furiously every time I go to the galerie ....... there are dozens of things that I would die to have but,  .... and for the past two years I have been madly in-love with Portuguese designer Fernando Brizio's vase, "Painting with Giotto #3". Created in 2005, this limited editon "vase" of faience (earthenware) and felt tips pens, an edition of 20 + 20 A.P. + 2 prototypes, makes my heart flutter!!!! I love it with all of my heart and am using all the control I have to not bring it to NYC ........ but, my resolve is withering ....... so I thought to make me feel better to share it ......  but, it hasn't really!!!! WHAT AM I TO DO!!!!!!!!!!


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Vanessa Stramboni has an "accessorator's" sensability .....  that I adore!! She mixes eccentric French vintage, with African ethnic; blending bijoux (jewelry, in our lingo!), textiles, furniture, lighting, and fantastic objects to create her store's eclectic feeling. I adored the set of four black & white, French 60's chairs, whose seats are re-upholstered in a black, white, & grey wool check fabric .... very reminiscent of Chanel!!!! The collection of black and white African masques, that have a slight hint of red, are exceptional "accessorations" ...... and of course, I love, love, love the African stool that still has touches of it's original bright colored paint!!!!! 

This store is soooooo YUMMY ....... I have been obsessing about this stool and am almost ready to call and have it shipped to NYC !!!! NO CONTROL here!!!!......


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I spent last week in Paris and it was divine!!!! I stayed at the Hotel Recamier, a wonderful newly renovated, boutique hotel in the Place St. Suplice. It was recommended by my friend, the au courant E-I-C, and as usual, he was right ..... it was fabulous !!!! ! The hotel has been redesigned by interior designer Jean Louis Deniot, who in addition to creating the stunning public spaces, was inspired to design 24 entirely different rooms. He successfully blends an eclectic mix of 20th century decorative styles, creating "Parisian elegance, neither hyper exuberance nor minimalism" ....... but clearly contemporary chic with a French accent!!! In addition, this charming "bijou" is owned by Sylvie de Lattre, a hotelier who pays special attention to each guest ...... making you feel that you are a treasured friend visiting her wonderful home!!!

I "accessorated"  all over Paris.... lunch at my most favorite cafe- the Croix Rouge, vintage shopping at Catherine B, a quick trip to the fabulous Merci on the Blvd. Beaumarchais, a visit to the new L'Eclaireur for women and of course a return to the men's store (bought gorgeous summer scarves!!), I saw my favorite lamp at Perimeter Gallerie, met Oliver the director of School Gallery (bought a fabulous drawing), had a wonderful lunch at TCH'A (the maison de the), found Arty Dandy on the Rue de Furstemberg (they were out of the KARL WHO t-shirts!), picked up breat at Poilane, book shopped at La Hume, and had an amazing dinner at L'Timbre .......

That's just a hint of my "accesorations" ......... much, much more to follow this week!!!!!!!!


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IMG_2846.JPGClic Gallery is the creation of Calypso founder Christiane Celle. Moving from the world of apparel, into the world of books and art is a wonderful transition, ( Just ask me, I made it!!!) and I applaud Christiane for  successfully taking this great leap of faith!!! On my first trip to her New York gallery/bookstore, I was thrilled to see the first New York exhibition of  work by self-taught artist Jody Morlock. I have been following Jody's career at the divine design store Comerford Hennessy, in Bridgehampton and am very pleased to see her work at Clic.  

Jody's pictures are film strips, a chaotic mix of beautiful and darkly funny images. She says her work is "a story composed of poured colors, geometric curvaceous shapes, large brush strokes and Freudian dream-like sketches." Jody, a part of the downtown New york art scene,  considers herself a "student of the streets absorbing everything I see."  The show , Dig it!, is a "personal excavation" of her work. Jody's influences include "street art, grafitti, advertising, movies, Africa art, and fetish objects" ...... a melange of images and objects that help her create paintings and sculptures ....... her "urban hieroglyphics." 

When I look at Jody's work, I immediately think of the Bay Area artists who's work I adore and covet ...... Chris Johanson,  Barry McGee, Clare Rojas, and the late Margaret Kilgallen ........ putting her in excellent company!!!!!


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Gavin Turk "Mappa Del Mundo," 2008
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  • Shahzia Sikander "Pathology of Suspension," 2008
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Fred Tomaselli "After Migrant Fruit Thugs," 2008

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Kara Walker "A Warm Summer Evening in 1863," 2008

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  Astro Vivid Astro Focus "aaxé vatapa alegria feijão," 2008

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Grayson Perry "Vote Alan Measles God," 2008

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Julie Verhoeven "Far From The Maddening Crowd," 2008

DEMONS, YARNS, & TALES: Tapestries by Contemporary Artists, currently on view at James Cohan Gallery, is one of the most unusual and interesting exhibitions in Chelsea. This visual feast, featuring hand-woven tapestries from thirteen internationally acclaimed artists, was the brainchild of Brits Christopher and Suzanne Sharp of The Rug Company. They created the London- based art organization Banners of Persuasion and  commissioned the project. Approaching artists to use a medium foreign to their practices was very adventerous and required a great deal of thought and time. Each artist translated his/her "known language"  into this centuries old medium, "a craft faded long ago in much the same way as the magnificent tapestries themselves disintegrated."  Each artist's tapestry is an editions of 5, prices range from $40,000 to $145,000. The weaving house that is making the tapestries is in China, set up ten years ago, it uses Flemish weaving techniques, originally used by the tapestry makers of Aubusson. "The factory is situated in a  rural area north of Shanghai and the weavers, all of whom are women, part time so that the can continue to work in the fields and gather the harvest."

The artists' works reflect a variety of subjects ....... including "fictional landscapes, architectural abstraction, fashion and flora and the politics of race, gender, international conflict and the environment." The connections between the artists', their traditional mediums, their own voices, and this new medium are very clear. Gavin Turk focused on the environment, appropriating  Boetti's map and creating the continents from garbage. Shahzia Sikander reflects her interest in the detail of Indian miniatures in her design. Fred Tomascelli said, "Tapestry..oh, that is the first pixilated image." His piece continued incorporating hallucinatory visions that he used in a wood panel piece of the same name, substituting "his frequent use of unorthodox materials such as drugs and hemp for silk and gold threads." Kara Walker's piece, a black silhouette of a lynched woman hanging in front of this racially charged image taken directly from a vintage Harpers Magazine continues her use of historical references. Artists' collective avaf have designed "a collage of images, that captures the hedonistic ethos both of carnival and clubbing; they evoke the glory days of disco and gay activism." Grayson Perry created "a tapestry littered with images that we associate with the perceived threat of global terrorism- following the historical tradition of of using the medium to tell stories of power struggles and war." Julie Verhoeven, known primarily as a fashion designer and illustrator, has seamlessly blended the art of tapestry with her illustrative drawings, weaving her "girls" whom she describes as "swinging between sweetheart pretty and angst-ridden desperate" in yarn.

These tapestries are incredibly stunning, they have to be seen "out loud" to be appreciated!!!!! I have given you a small selection, but sincerely suggest a trip to the gallery ..... this is a must see exhibition!!!!! 



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I am in love with this light fixture ....... I saw it hangs in a double high, glass walled media room on the water in East Hampton!!!! Created by artists Wade Guyton and Kelley Walker, the duo who make up the artistic tag-team Guyton/Walker. The fixture was part of a 2009 exhibition at Greene Naftali Gallery. The chandelier hangs approximately 5 feet long and is a combination of porcelain, light bulbs, sockets, and electrical wires. Each coconut is a ceramic mold, and each mold is created from a different, real coconut!!! The result is that each porcelain coconut is unique!!!! The piece draws reference from previous works that the pair did that included silk screens and inkjet paintings.

This "accessorator" would love to have this in my house ....... only problem is i have no double height ceilings!!!!!


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Brrrrrrr it's soooooo cold outside ........ and as anyone who knows me knows, I never leave the house from January to April!!!! But, Saturday, I braved the elements and went to the opening of "The Language of Flowers," an exhibition at CRG Gallery. And, I have to admit that this visually stunning show was definitely worth the effort!!! 

Georges Bataille's essay, "The Language of Flowers," was the starting point of the exhibition, "The symbolic nature of the flower is a revealing text wherein Bataille draws parallels between the anatomy of the flower and the human body as  well as his interpretation of the nature of seduction, beauty, love, and death as understood through the flower's physical and historically condensed characteristics." CRG Press Release

The show, incorporating some 25 artists, who use the flower as a common point of departure, features a variety of generations ........ from the influential 20th century painter Fairfield Porter, to the newly emerging painter Steven Bindernagel. The senses are touched by artists who incorporate a wide range of mediums including ...... the beautiful, hanging tape and tar paper collage, Latin Rose (1989) by Jim Hodges; Tonico Lemos Auad's plant and carved stone Medusa (2007); Petah Coyne's Untitle #1292 (Scarlett), a waxed flower piece that incorporates a taxidermy bird. There are stunning exploding flower photographs from Ori Gersh; as well as photographs by Colby Bird, Carter Mull, Bob Beck, and Lyle Ashton Harris. The extraordinary selection of works on paper includes artists Andy WarholBruce Conner, Lisa Sanditz, Hannah Wilke, and four obsessive ball point pen drawings by Butt Johnson. I adore sculpture and this show includes amazing works by artists Hannah Wilke, Nayland Blake, Kathy Prendergast, as well as two divine pscyho-sexual pieces from Japanese artist Tetsumi Kudo, that I would kill for!!!!! 

Soooooo, the accessorator suggests "acting as if" ....... pretend it's spring, jump into a taxi for a trip to Chelsea, and visit the flowers that have just sprung up on Twenty-second Street!!!!!!

Pedro Barrail Tattoo's Chairs!!!!!!


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vert 3.JPGFurniture dealer Cristina Grajales showed these tattooed chairs, "El Castor," at the Latino section of Design Miami last month and I keep thinking about them!!!! They were designed in 2008 by internationally acclaimed designer and architect Pedro Barrail. The tattoo patterns are burned into the wooden chairs. Barrail's furniture, produced in his native Paraguay, reflects his interest in a a cross section of cultures and their relationships. I think these chairs reflect a strong relationship between the contemporary Mexican artist Dr. Lakra, who embellishes images and other found objects with tattoo-style designs and Barrail. Both artist uses incorporate the  art of tattoo to create sculptural objects.   

"Barrail designed an object the challenges conventional labels. Using the traditional engraving techniques of the Paraguayan tribe, PAI-TAVYTERA (meaning:"habitants of the city of the center of the world") to decorate a thoroughly modern chair, he seamlessly combines traditional and contemporary design techniques into a single piece. With "El Castor" Pedro Barrail confronts accepted labels to unveil an innovative design style that defies convention." Cristina Grajales Inc.

I think any object that stays with me this long is destined to be part of my "accessorations,"
unfortunately there is no room in my house for these pieces and I would hate to visit them in my storage bins!!!!!!


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The ultimate Christmas gift for "the accessorator" is .........either one of these two hand-embroidered tapestries by world-famous artist Takashi Murakami!!!! Created in collaboration with Louis Vuitton, each is a limited edition of 20. The tapestries were hand woven in India, from New Zealand wool, using the lock stitching method, using about 20 knits per square centimeter.  They have been exhibited at the Guggenheim Museum in Bilbao, the Vuitton store in Tokyo, Design Miami in Basel Switzerland, the Hong Kong Museum, the Galerie Emmanuel Perrotin ........ and next month they will be at the Louis Vuitton store on the Champs-Elysées, Paris. The square carpet is titled "Pink Time" and the round carpet is"Flowerball," each is available in two sizes ......  unfortunately delivery time is 4 months ...... but you can always print this page and wrap it in a divine box!!!!

Obviously a "major gift" ........ the only response would be a gigantic "THANK YOU", in sky writing over Manhattan!!!!!!!!!!

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IMG_3553.JPGThe sculpture of Brazilian artist Barrão, exhibited at Galeria Laura Marsiaj, is compelling and touching, as well as quirky and off-kilter. It references pop and kitsch culture, while creating a new visual culture. Barrão allows the viewer complete freedom to create their own dialogue and narrative within the context of the work, while still wondering what the artist was thinking. The pieces access the history of the original objects, while giving them a new meaning and life in a new format. This dichotomy in the work is what creates its magic!!!!!

"His works evince a curious spirit that enjoys taking objects apart and then sticking them back together in a way that confers a new sort of operation to them. With no regard for the household use or decorative function of these objects, Barrão disorders and destroys them, to then construct his artworks from their fragments." Galeria Fortes Vilaça press release October, 2009

The "accessorator" loves repurposed work, particularly made from fragments of old & new porcelain!!!!! I am enthralled by how something was one thing ...... and becomes something else. I think change is wonderful ....... for all of us and for objects!!!!

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We know that the existence of the "printed word" is in question ...... starting with emails, blogs, on-line magazines, and kindles. Korean artist Airan Kang's project is a poignant message about our potential loss. Moving away from hard copy to digital images is made extremely apparent in this installation of "electronic Illuminated manuscripts," shown by the Bryce Wolkowitz Gallery. Modern-day "illumination" has Airan appropriating existing books and converting them to resin-casted light boxes. Her exhibitions are usually thematic in concept, basing her projects around the context of information, where it is found ...... bookstores, reading rooms, or libraries. This particular installation is a cross section of her work, a "library" of sorts, where each volume is sold individually. The bottom image is a single work ..... a "stack" of Edgar Allan Poe's books.

This "accessorator" was awed by this installation ....... as a reader and collector of books, writer of text, magazine "junkie," and "blogger" it touches all parts of me. In addition, I have a particular affinity for book shelves, their design, and how to "prop" them ...... not to mention my relationship with "color." I'm left with a great deal to think about as a result of this work ....... and that's the goal of art ..... to make you think!!!!!