Recently in “On the Wall”


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This wall is so stunning ..... it is the ultimate "exclamation point" for any room !!!!

London antiques dealer Linda Gumb framed these divine vintage decorative patterns ....... they are part of a collection of pages from a sales catalogue of 1930's French wallpaper. The  patterns are hand painted on paper and include any co-ordinating boarder prints.

I love instant "accessoration" gratification and this certainly fits the bill!!!!



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CHRISTOPHER ASTLEY, Groan Blind, 2010
Concrete & acrylic paint, 84 x 18 x 29 in  

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ROBERT BECK, The Family Photo ("Christmas 1968"), 1999
Fuiji pictography & deer leg frame, 14 x 16 in

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KIMBERLY HART, Spectre, 2009
Fabric & feathers, dimensions variable

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PIA DEHNE, Bow Hunter, 2009
Oil on canvas, 54 x 88 in

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STEVEN & WILLIAM, Bunny Down, 2010
Archival paperboard, fabric, beads, & metal, 9 x 6 x 14 in

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MICHAEL COMBS, Ecstasy of Saint Theresa, 2010
Carved wood, dimensions variable

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HOLTON ROWER, Untitled, 2010
$$$ dollar bills, dimensions variable

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SEBASTIÅN ERRAZURIZ, Twin Towers on Double Trouble, 2008
Plastic, wood, & acrylic, 23 x 22 x 6 in

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ALICE HOPE, Stockpiling, 1009-10
Steel plates, magnets, & BBs, Dimensions variable

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ROBERT NEUMAN, Lame Deer Big Eagle, 2007
Oil on linen, 51 x 42 in

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GUERRA DE LA PAZ, Martyr, 2007
Mixed media, 120 x 96 x 14 in

"Hunt & Chase" at Salomon Contemporary, East Hampton was co-curated by  Beth Rudin DeWoody and gallery owner James Salomon. Beth, known for her enormous passion for art, is the ultimate art collector ........ buying only what she loves without thought of profit (rare in this market!!), she adores both art and artists. She is excited by what she sees and inspires the creative process in the artists she meets. Having curated several gallery shows, this is her first collaboration. The exhibition is interesting and eclectic .... flowing easily, clearly the result of the compatible natures of Beth and James. Featuring over 30 contemporary artists in a variety of media including video, sculpture, painting, photography, assemblage, and works on paper the show will be on until August 15, 2010.

"The exhibition focuses on both the accessible and unobtainable with works that demonstrate the hunt and chase of humans, animals, objects or the intangible: and illuminates emotions and subjects associated with the persuit- impulse, fear, desire, competition, force, and endurance." The work varies from classically literal pieces with a twist, to more abstract applications of the premise. Going beyond the expected hunting imagery, the works are often provocative and unusual ...... beneath the surface of the usually associated imagery.


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English artist Anna Garforth calls herself an "urban land artist," a "guerilla gardener" & a "green graffiti extrodinaire." Her work integrates her interest in urban ecology & sustainability with her creative practice. According to Anna, this has "led me into a world of moss collecting, wild city foraging and hunting down all the undomesticated areas of our urban forest. It has inspired me to discover and understand more about our natural surroundings. I have learnt how to communicate and engage creatively with positive impact, both socially and environmentally."

This project titled HEAD GARDENER turns plastic milk bottles into these eccentric "character" planters!!! Painting and planting the bottles give them unique visual personalities, each with a definitive life cycle based on the plant materials. The ephemeral nature of the work creates an immediate impact and is in collusion with transitory nature of the plantings. Anna says, "I don't wish to preserve it, it lives, it dies, and new growth ensues." In addition to this project, Anna has "written with" moss and leaves ...... which while being ecologically inspired, also relates back to the world of decay, death and rebirth.

I find these pieces very appealing ..... their mask-like faces remind me of African art. 
I love the simplicity of thought in their design and their graphic quality ....... 
and I find the idea of birth, decay, & rebirth an intriguing part of ecology


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Can anyone guess where this sign lives????A
Here's a hint ...... it's in Wainscott!!!!
And has the best coffee & rice krispy treats!!!!

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i'm telling you what   2010
metal, wire, light bulb, fabric
74 x 84x 20 inches approx.

It is no secret that I am captivated by the work of Texas artist, Andy Coolquitt (see blog 10/23/09). His current show at the Lisa Cooley Gallery on Orchard Street made me smile from the moment I walked in!!!! I loved the new pieces and even wanted to own the "non-art" works, they were wonderful too!!! 

But, my "most favorite" piece is "i'm telling you what" ....... 
I want to move into this "tableaux" immediately!!!!

Imagine being sprawled out on this "settee" of vintage polyester stripes .....
reading a trashy novel or watching junk TV endlessly ..... 
all under this fabulous "light"!!!!! 

I know that life is perfect "inside" these 3 pieces, and I will be happy forever!!!! 
Want to join me????


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I love bunnies and I adore graffiti!!!!!

Driving around Shoreditch yesterday, the hot, new design mecca in London, I had to have Martin, the best taxi driver in London, pull over so that I could take these pictures ....... the newest triple-header Op Art Bunnie Graffiti!!!!!! 

*****Note the influence of Israeli optical artist Yaacom Agam, the
eye-tricks game ..... the image changes depending upon 
where you are standing ........ charming graphic 
black & white bunnie becomes sinister 
black & blood red version!!!! 
From Yum to Yick!!!!!

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I love this shelf ....... it this one is one of the most creative & quirky 
designs at the ICFF....... and a really great visual ...... that 
makes me want to collect paperback books!!!!!!

British design company Mode Product Design presented the "Sticklebook" this week at the 2010 International Contemporary Furniture Fair (ICFF).  The bookcase, a solution to book storage, creates the illusion of a line of books hanging unsupported on a wall.  A comb-like strip grips the cover and pages of a paperback book and provides an "invisible bookshelf" that holds up to 12 books. This is product design at it's best!!!!


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NOSE, 2010 oil on canvas, 90 x 84 inches

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DRAWER, 2010 oil on canvas, 84 x 90 inches

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JUNKER, 2009 oil on canvas, 84.625 x 90.5 inches

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BLUE DIAGRAM, 2009 oil on canvas, 90.75 x 84.75 inches

Amy Sillman's paintings at Sikkema Jenkins & Co. are extraordinary!!!! I am awed by the incredible use of color, gesture, and composition in each work ...... they are eye-candy and I want to crawl into them and wander around!!! Gallery owner Brent Sikkema told me that Amy belongs to an informal reading group of Williamsburg artists, and that they were reading about color theory, which influenced these paintings. Undoubtedly!!!!

In addition to the paintings, there are two sublime suites of drawings, one beginning with a simple drawing of a light bulb which "transforms into a flashlight, which turns into s medium for self-reflective investigation." The shown titled Transformer (...or, how many lightbulbs does it take to change a painting) runs until May 15th .

Stop everything ....... run to Chelsea, it's a must see!!!!


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IMG_3055.jpgThe weather is changing and I have taken to the streets ........ looking
 for fabulous color "accessorations!!!!" 

I found these divine "jelly-bean brights" on Thirteen and Washington, while having Easter brunch at The Standard!!!!!! A delightful pallette of "yummies" for Easter weekend!!!!!

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There is no question that I love a good "accessoration" .... particularly one I have never seen before!!! 

Friday, I was walking in Chelsea with my friend WR and we came upon this fabulousness...... a "construction-site accessoration"!!!!!!  With all of the building in my 'hood and all of the new places to accessorate, it was only a matter of time!!!! 

Here it is.....paper flowers wired to a scaffolding .... "Scaffolding Accessoration" .... DIVINE!!!

Wall of Chairs on San Francisco!!!!


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This wonderful photograph was sent to me yesterday from San Francisco by my friend WB, a transplanted New Yorker, who clearly knows what turns me on!!!! It is the wall outside SF "garden guru" Flora Grubb's eponymous garden store. The divine 2800 sq. foot shop features an enormous selection of plants, palms & flowers, as well as a charming collection of garden accessories ..... especially these fantastic colored chairs!!!! 

In my world, this wall is a fabulous "accessoration" ...... the rough taupy-grey barn wood background, the eye catching color assortment, and the clean, contemporary graphic pattern ....... all creating a fabulous "invitation" into the world of Flora Grubb Gardens!!!


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This innovative clock, created by Catalan designer Marti Guixé (see post 2/18/10) was designed for Italian company Alessi (see post 1/22/10).  The 24H Sentence Maker is a white aluminum wall clock, with a blank face and a dry-wipe surface. You can write or draw anything you can think of on it's face ....... including numbers, if you must!!!!! Using a wipe-dry pen and any thoughts, ideas, emotions, etc ...... you can create your own "exclusive" clock. Guixé, is a multi- talented genius; performance artist, writer, product designer, and  thinker. He looks at objects with fresh eyes, "thinking about them and methods that can encourage peoples' active participation and spirit of reinvention." 

"Objects have become tools for perceiving reality of every day, and also for communicating not only with objects, but also with other people through objects." Marti Guixé

I adore the idea of "emotions" instead of numbers and I can't wait to get my hands on one of these clocks ...... maybe 4 or 5 ..... one for each room ..... that way every room can reflect my different emotions inherent to that space!!!!!  That really is "over-accessoration", even for me!!!!


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French company Frederique Morrel, the brainchild of husband and wife team Frederique Morrel and Aaron Levin, has moved from covering poufs, footstools, pillows, furniture, and lamps in vintage needlework ......  to these updated taxidermy "deer creatures." This past week at Maison et Object, in Paris, the company presented "The Slice of Life" collection. The unique, handmade creatures are created from polyurethane taxidermy molds, re-enforced with steel rods and covered in re-cycled vintage tapestry. Each piece, whether a full-sized animal or a trophy head, is then completed by the addition of real antlers, horns, hoofs, or fur pieces. Frederique's concept is "to "decycle" (put into a new life-cycle) unj-justly un-recognized, anonymous and devalued pop artifacts." 

According to Frederique and Aaron, "Our products have been carefully re-made using vintage needlework saved from oblivion in the interest of the redemption of the painstaking work involved in their original creation. When wondering around markets or garage sales we're often very saddened to see discarded embroidery. We think about the love, time, craftsmanship, and patience that went into creating such beautiful things and find it so sad that they end up unwanted and for sale for a few dollars."

I think these quirky and clever "artifacts" are divine and decadent ......... imagine one "accessorating" your great room ...... or a whole heard of trophies "accessorating" a wall!!!!!
That's a WOW!!!!!

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Gavin Turk "Mappa Del Mundo," 2008
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  • Shahzia Sikander "Pathology of Suspension," 2008
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Fred Tomaselli "After Migrant Fruit Thugs," 2008

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Kara Walker "A Warm Summer Evening in 1863," 2008

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  Astro Vivid Astro Focus "aaxé vatapa alegria feijão," 2008

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Grayson Perry "Vote Alan Measles God," 2008

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Julie Verhoeven "Far From The Maddening Crowd," 2008

DEMONS, YARNS, & TALES: Tapestries by Contemporary Artists, currently on view at James Cohan Gallery, is one of the most unusual and interesting exhibitions in Chelsea. This visual feast, featuring hand-woven tapestries from thirteen internationally acclaimed artists, was the brainchild of Brits Christopher and Suzanne Sharp of The Rug Company. They created the London- based art organization Banners of Persuasion and  commissioned the project. Approaching artists to use a medium foreign to their practices was very adventerous and required a great deal of thought and time. Each artist translated his/her "known language"  into this centuries old medium, "a craft faded long ago in much the same way as the magnificent tapestries themselves disintegrated."  Each artist's tapestry is an editions of 5, prices range from $40,000 to $145,000. The weaving house that is making the tapestries is in China, set up ten years ago, it uses Flemish weaving techniques, originally used by the tapestry makers of Aubusson. "The factory is situated in a  rural area north of Shanghai and the weavers, all of whom are women, part time so that the can continue to work in the fields and gather the harvest."

The artists' works reflect a variety of subjects ....... including "fictional landscapes, architectural abstraction, fashion and flora and the politics of race, gender, international conflict and the environment." The connections between the artists', their traditional mediums, their own voices, and this new medium are very clear. Gavin Turk focused on the environment, appropriating  Boetti's map and creating the continents from garbage. Shahzia Sikander reflects her interest in the detail of Indian miniatures in her design. Fred Tomascelli said, "Tapestry..oh, that is the first pixilated image." His piece continued incorporating hallucinatory visions that he used in a wood panel piece of the same name, substituting "his frequent use of unorthodox materials such as drugs and hemp for silk and gold threads." Kara Walker's piece, a black silhouette of a lynched woman hanging in front of this racially charged image taken directly from a vintage Harpers Magazine continues her use of historical references. Artists' collective avaf have designed "a collage of images, that captures the hedonistic ethos both of carnival and clubbing; they evoke the glory days of disco and gay activism." Grayson Perry created "a tapestry littered with images that we associate with the perceived threat of global terrorism- following the historical tradition of of using the medium to tell stories of power struggles and war." Julie Verhoeven, known primarily as a fashion designer and illustrator, has seamlessly blended the art of tapestry with her illustrative drawings, weaving her "girls" whom she describes as "swinging between sweetheart pretty and angst-ridden desperate" in yarn.

These tapestries are incredibly stunning, they have to be seen "out loud" to be appreciated!!!!! I have given you a small selection, but sincerely suggest a trip to the gallery ..... this is a must see exhibition!!!!! 



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As everyone know this "accessorator" thinks books and bookcases are the ultimate "accessoration"!!!! 

To date, illuminating Milan's opera Teatro alla Scala to resemble a bookshelf is the ultimate ACCESSORATION!!!! Mario Nanni's, "La Luce della Musica" is a visual and musical experience that takes your breath away. Opening the opera season at La Scala, this tribute to Bizet's "Carmen" is extraordinary. Nanni, the ultimate "architect of light" uses video projections and light to "highlight and compliment" the architecture of this historic structure designed by Giuseppe Piermarini (1776-78). The bookcase pattern projection is one of six that Nanni created to light the opera house. It was done as part of Milan's International Festival of Lights. Nanni is the ultimate lighting master, beginning his career as an electrician and becoming world renowned ...... this work at La Scala is monumental!!!!!!!!

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